Film and TV Production Diploma *New*

Working filmmakers will teach you how to write, direct, produce, shoot and edit your own films.

Program Updates Coming July 2026

This page outlines the updated program details for students enrolling in July 2026 and later.
For earlier intakes, please visit this page.
Next Start Date:
July, 2026
Duration:
18 months
Delivery Mode:
On campus
description

Film and TV Production Program Description

Learn Filmmaking from Real Filmmakers

This is how you break into the industry. Job-ready, set-ready and fluent in industry lingo. Well-versed in the creative, technical and business aspects of filmmaking. And with a solid network of pros.

 

Learn the inner workings of production directly from those who’ve mastered it. Shoot your films in our studios using the same Hollywood-grade cameras, lights and gear that power today’s blockbuster films, network shows and streaming hits. And showcase your know-how with an impressive portfolio of short films, commercials, documentaries, music videos, and more.

Career Outcomes for Film and TV Production Graduates

Producer

Production Manager

Director

Assistant Director

Director of Photography

Camera Operator

Assistant Camera

Gaffer/Grip

Screenwriter

Picture Editor

Sound Editor

Colorist

Sound Engineer

Sound Recordist

Production Designer

Art Director

Set Decorator

FILM AND TV PRODUCTION PROGRAM FEATURES

TFS “Grab and Go” Equipment

Need equipment to shoot your film, commercial or music video? As a TFS Film and TV Production student, we’ve got you covered.

You’ll have access to the latest industry-grade equipment, courtesy of our collaboration with Sony Canada. As you move through the program, you will have access to more packages and more sophisticated cameras and lights.

TFS has 5 main packages:

  • Advanced Package A: Sony Fx6 robust package with audio, lights and grip

  • Advanced Package B: Sony Fx3 robust package with audio, lights and grip

  • Mid-Level Package: Sony Fx3 package with audio, lights and grip

  • Basic-Level Package: Sony A7iii package with audio, lights and grip

TFS Greenlit Productions

TFS Greenlit Productions are select films (roughly 10 per semester and 40 per year) that are pitched by students and selected by a TFS jury to receive a full production package, delivered to set care of rental house Canada Film Equipment (CFE).

Highlights of a Greenlit Production:

1

Equipment and support fully paid for by TFS for two full shooting days (10 hours + 1 hour lunch + 1 hour travel).

2

Full-service package truck delivered to and from the shooting location, complete with on-site technicians to assist all TFS Greenlit Productions.

3

Equipment includes an ARRI Alexa Mini package with lens kit, follow-focus, director monitor, as well as full grip and lighting package that includes LED Aputure lights, Lite Mats, dolly, flags, c-stands, and Matthews grip. In addition, full Sennheiser wireless and Zoom sound recorders will be provided.

4

Camera prep day at CFE with a professional camera technician on the Friday before the weekend shoot (mandatory for all Greenlit Productions).

5

Personalized production and post-production mentorship tailored to your project.

6

Guaranteed screening at a movie theatre in downtown Toronto.

7

Productions are approved to work with ACTRA union actors should they choose.

faculty

Program Director & Instructor Bios

Testimonials

Our Grads in the Credits


courses

Film and TV Production Courses

Filmmaking Courses By Term

Term 1

Intro to Production

FTP100

This course provides an introduction to the fundamental concepts and techniques of film production. Delving into the functions of a set and the roles within various departments, students will gain insight into the diverse and collaborative nature of the industry. The course places a primary emphasis on the language of film, spanning from script to screen. Students explore film theory by analyzing the creative choices made by directors to convey narrative themes, emotion, and style. This course also focuses on the key elements of the pre-production process, such as script breakdowns, storyboarding, and shot lists, all of which are vital components of the filmmaking process. Lastly, students learn the art of breaking down film compositions and coverage for the purpose of creating their own work.

Intro to Storytelling

FTP101

This course is designed to immerse students in the basic elements of cinematic narrative construction. Through an in-depth exploration of story fundamentals, students acquire a basic understanding of character development, enabling them to create protagonists and antagonists, as well as infuse themes, and create ideas from their own life experiences into stories.

Production Fundamentals

FTP102

Delving into the intricacies of cinematic storytelling, this course focuses on essential skills, ranging from the techniques of shooting coverage to the orchestration of scenes according to the 180-degree rule. Students are guided through the proper steps of film production, with insights into pre-production planning, on-set execution, and post-production processes.

Camera and Set Fundamentals

FTP103

This course is designed to introduce students to the foundational knowledge and practical skills essential for filmmaking. The course focuses on understanding the basics of cameras and their functions, as well as an introduction to fundamental lighting techniques, equipment usage, and safety practices. Students learn about the art of framing and composition to create visually compelling narratives. Upon completion of the course, students gain insight into the diverse responsibilities involved in filmmaking and proper set etiquette, emphasizing professionalism, teamwork, and effective communication within a film production environment.

Cinematography Lighting and Grip

FTP104

This introductory cinematography film course is designed to provide students with a comprehensive foundation in both theoretical and practical aspects of lighting techniques. Students are introduced to fundamental principles of cinematographic lighting, including an exploration of various types of lights and lighting sources, an analysis of light quality, and an introduction to color wheels for understanding and manipulating color temperature. The course covers practical skills in gripping lights, mastering the art of positioning, and controlling light sources effectively as well as the functions of different lights, and safety protocols within the context of film production.

Intro to Editing

FTP105

This course provides students with a foundation in the art and technical aspects of editing. The course covers fundamental concepts of visual storytelling, exploring practical skills and using editing software. Students gain hands-on experience with interface, editing workflows, and essential software tools. Throughout the course, students learn how to build tension and evoke emotional responses through various editing techniques. Emphasis is placed on the power of manipulating images for emotional effect and understanding editing as a storytelling tool using scripted work as its vehicle.

Co-requisite: FTP106

Intro to Audio

FTP106

This course is an introduction to the basics of offline audio editing. The course introduces students to the science of audio, microphones, and how audio functions in the vein of production and post-production process. The course also focuses on the technical and creative aspects of working within picture editing software, as students are introduced to the interface, tools and proper workflows that complement the picture edit. Students are oriented to the art of sound mixing and sound design in relation to scripted scenes, learning how to begin infusing dialogue, music, and sound effects. Students learn how mixing and design bring scenes to life and how they can alter them. Lastly, students learn to organize their work for purposes of an online edit through different third-party software.

Co-requisite: FTP105

Base Camp

FTP107

This course prepares students for effective teamwork by coaching and practicing the soft skills required to thrive in production meetings, brainstorming, and other meeting-based scenarios. With focus on building strong relationships and proactive mindsets, Base Camp sets the collaborative tone and fundamental team-building skillsets that will be carried forward for the duration of the program.

Term 2

Film History

FTP200

This course introduces and explores the history of moving pictures from the humble beginnings of film through the present day. This course specifically focuses on the birth of film, the innovators, milestones, art, and technology as well as how the social and political environment directly influences the world of cinema and its practical execution. Upon completion of this course, students possess an understanding of cinematic history, the various genres, and the various aspects of cinematic language. This is a lecture-based course, augmented with visual teaching aids.

Intro to Screenplay

FTP201

The course introduces the art of script formatting, incorporating industry-standard practices. The course focuses on short script writing, emphasizing the refinement of draft composition, dialogue construction, and thematic integration. Students engage in practical exercises to enhance their ability to craft compelling and authentic dialogue, breathing life into characters. The course delves into the process of infusing thematic elements into narratives, encouraging students to explore the layers of meaning within their scripts. Through iterative drafting and constructive feedback, students elevate their short scripts to a polished standard, equipped with the skills to navigate the delicate balance between creativity and craftsmanship in the realm of scriptwriting.

 

Pre-requisite: FTP101

Intro to Producing

FTP202

This introductory course encompasses an overview of all producing roles, the process of a production’s creation, with a particular emphasis on the responsibilities of a production manager. Students delve into the intricacies of building budgets, mastering script breakdowns, and creating efficient production schedules. The course explores the process of hiring cast and crew, navigating the complexities of working with unions, and understanding the nuances of recruiting post-production roles. Practical applications are emphasized through hands-on exposure to industry-standard templates, ensuring students acquire essential organizational skills crucial for successful film production.

Directing and Visual Storytelling

FTP203

This film directing course delves deeply into the art of visual storytelling, emphasizing the aspects of shot psychology, scene composition, and the understanding of context and thematic elements. Students further explore the storyboarding as a crucial tool in shaping visual narratives. Emphasis is placed on the director’s role in conveying emotions effectively, focusing on the skill of selling feeling through cinematography. The course also touches upon the essential elements of tone and mise en scène, providing students with an understanding of the directorial craft. Through a combination of theoretical discussions, practical exercises, and analysis of cinematic examples, students develop a sophisticated and informed approach to film direction, enhancing their ability to create compelling visual stories.

 

Pre-requisite: FTP102

Intermediate Cinematography

FTP204

This intermediate course is designed to deepen students’ proficiency in cinematography. The course encompasses an exploration of advanced electrical principles related to cinematography, providing students with a thorough understanding of the technical intricacies involved in camera operation. In this course, students delve into the art of camera movement and framing, with an emphasis on the integration of dynamic visual elements to enhance storytelling. Additionally, students develop expertise in lensing, exploring various lenses and their effects on visual narrative.

 

Pre-requisite: FTP103, FTP104

Intermediate Editing

FTP205

This course on intermediate editing techniques focuses on scripted storytelling and more advanced editing tool tools using professional editing software. In this course students work on editing more advanced work within the scripted format and discover more sophisticated creative tools within the software such as keying, keyframing and coloring. Students are guided in using more advanced editing technical tools within the editing software.

 

Pre-requisite: FTP105

Advanced Audio

FTP206

This course introduces students to audio production and different methods for recording clean audio during field production. This includes the process, practice, and equipment required to record sound during production. The course expands on more complex offline sound mixing and sound design for scripted scenes in post-production, utilizing music, foley, room tone, SFX, among other tools for design. Students are introduced to other genres and tactics for creating an enriching emotional experience for audiences.

 

Pre-requisite: FTP106

Term 3

Legends of Cinema

FTP300

This course explores contemporary international cinema, delving into themes, directorial techniques, cinematography, production design, writing, sound, and editing using elements of these aspects to define each type of work. Students learn these classic works from a theoretical and practical lens, as they encompass takeaways for their own work.

Capstone Screenplay

FTP301

This course advances students’ knowledge on short script writing, further emphasizing the elevation process and continuing their process of ideation screenwriting for purposes of creating a capstone screenplay. Students are introduced to genre storytelling and further engage in practical exercises to enhance their ability to craft compelling and authentic dialogue, infusing thematic elements into narratives, and elevating drafts to a polished screenplay.

 

Pre-requisite: FTP201

Advanced Directing

FTP302

In this directing course, students explore advanced cinematic techniques, focusing on intricate camera moves, technical mastery of shot composition and angles, and the strategic use of movement in storytelling. Students also delve into the nuances of set etiquettes, understanding the essential dynamics of professional on-set behavior. The curriculum further guides students through the preparation process in readying their creative materials for a shoot.

 

Pre-requisite: FTP203

Production Design Fundamentals

FTP303

This course offers an exploration of essential elements in visual storytelling. Students delve into the foundational principles of production design, understanding its core fundamentals and the roles and responsibilities intrinsic to the discipline. Emphasizing the interplay of color palettes, tonal qualities, and the construction of look books, students gain proficiency in shaping the visual narrative through wardrobe and design. The course focuses on the curation and application of tools and props, demonstrating their role in transforming environments and scenes.

Advanced Cinematography

FTP304

This course elevates students’ proficiency in working with sophisticated cinema cameras, emphasizing the integration of technical mastery of storytelling and visual artistry. Students are guided through the intricacies of capturing scenes with larger advanced setups. Students acquire specialized knowledge in advanced lighting techniques, including mastering lighting ratios for diverse cinematic effects. The course integrates advanced grip and camera movement principles, ensuring students gain proficiency in executing dynamic and visually compelling shots. The course also delves into an in-depth exploration of post-production workflows with a focus on color grading, facilitating an advanced understanding of color theory and contrast ratios.

 

Pre-requisite: FTP204

Coloring for Post Production

FTP305

This course equips students with an understanding of color grading techniques using industry-standard color grading software. Students are introduced to the role cinematography plays in post-production and the relationship between production and post-production. Students are taught the interface, workflow, and fundamental color correction techniques of the coloring software. The course delves into color theory and aesthetics, emphasizing the psychological impact of color in storytelling through case studies of renowned films. Advanced color correction techniques are explored as well as creative color grading and other practices that enhance the image.

Documentary and Docuseries

FTP306

This course is a theoretical and practical exploration into documentary filmmaking. This course unpacks the history behind the genre and its six major subgenres. Students learn how to decode the characteristics of the genre and dissect story structures by watching feature and short films. Students are guided into the process of how to choose a compelling story and how to develop ideas for purposes of creating their own documentary, as well as avenues for grants and distribution. This course also explores the docuseries format; its different subgenres, and how students can elevate ideas for long form.

Term 4

Factual Entertainment

FTP400

Demystify the concepts and theories behind one of broadcast television’s strongest markets. Develop and pitch an original Factual Entertainment series concept as you are guided through the process of creating the story, structuring the episodes, casting the central personalities, budgeting the production and packaging the overall proposal.

Package and Proposal Development

FTP401

The building and presentation of packages is a valuable technique and art form used industry wide to effectively present your film or concept. In this course, students learn how to package and present a concise plan detailing their idea, screenplay, look, feel, and course of action that they plan to undertake to complete a compelling and engaging short film. These packages represent the individual and/or team’s ability to execute and deliver a polished final project for pitching purposes.

 

Pre-requisite: FTP301

Advanced Producing

FTP402

This course is designed to elevate students’ expertise by further delving into the responsibilities of line producers, emphasizing strategic decision-making and resource management. The curriculum covers the expansion of the line producing role, including aspects of script breakdowns and budgetary considerations. Students gain insights into navigating industry unions and negotiating rates to optimize production efficiency. The course also provides an in-depth understanding of production and locations insurance, enabling producers to mitigate risks effectively. Students enhance their proficiency in utilizing industry-standard software, ensuring a seamless integration of technology into the film production workflow. The course offers a summation of various production roles and how all function in the vein of the line producer.

 

Pre-requisite: FTP202

Directing Talent and Set

FTP403

This course offers an in-depth study of effective actor communication techniques for aspiring directors. Practical classes focusing on the art of workshopping scripted scenes with acting talent enables hands-on experience in refining directorial skills. In-depth modules covering stunts, blocking, and the application of the Stanislavsky system foster a holistic understanding of cinematic storytelling. Students delve into the casting process, refining their ability to select talent harmonizing with their creative vision. This course addresses intimacy coordination, ensuring a professional approach to sensitive scenes. Discussions enriched by real actor experiences provide invaluable insights into the collaborative dynamics of filmmaking and directorial craft.

 

Pre-requisite: FTP302

Advanced Production Design

FTP404

In this course students delve into the art of dressing sets, emphasizing the interplay between space, narrative, and visual aesthetics. The curriculum underscores collaborative teamwork, fostering a dynamic environment where students achieve cohesive and compelling set designs. Students are taught painting techniques, with a focus on creating atmospheres that evoke specific moods and enhance storytelling. This course also provides an exploration of construction methodologies, equipping students with the skills to bring intricate designs to life. A unique aspect of the class involves the recreation of film stills, challenging students to replicate iconic scenes while honing their attention to detail. This course also covers the integration and manipulation of props, offering insights into how these elements shape narrative and visual impact.

 

Pre-requisite: FTP303

Cinematography and Storytelling

FTP405

This course offers a comprehensive exploration of the entire filmmaking process, encompassing the integration of fundamental cinematographic principles from pre-production to post-production stages. The curriculum delves into the art of crafting tone through cinematography, emphasizing the visual language that shapes narrative atmosphere and emotional resonance. Students acquire advanced skills in camera movement as a storytelling device and examine its impact on narrative pacing, character development, and audience engagement. This course places a focus on the synergy between cinematography and production design, illustrating how the visual elements collaborate to enhance storytelling. An introductory segment on videography equips students with essential skills in capturing dynamic visual content.

 

Pre-requisite: FTP304

Advanced Editing: Picture and Audio

FTP406

This course is designed to elevate students’ proficiency in integrating picture and audio elements within the storytelling realm. Further developing their scripted editing skills, students begin working with unscripted material. Students focus on mastering advanced techniques in non-linear editing software, emphasizing efficient workflows and advanced functionalities. Students utilize LOG footage for precise and sophisticated color grading, incorporating adjustment layers to enhance visual impact, and achieving precise audio synchronization. The course covers basic compositing, equipping students with the skills to craft visually compelling narratives. Students also explore the integration of non-linear editing software for offline editing, coupled with the strategic incorporation of third-party applications for motion graphics, visual effects (VFX), and professional-grade audio mixing.

 

Pre-requisite: FTP205, FTP206

Term 5

Legal Fundamentals in Media

FTP500

This course equips students with an in-depth understanding into the legal fundamentals of the film and TV industry, as well emerging media, with a specific focus on intellectual property and contracts. The course expands on producing items related to copyright and clearance, privacy rights and defamation, and legal strategies/limitations related to underlying properties, music rights, digital assets, and other ancillary rights. Students gain insight into creative opportunities and infringement issues across diverse media formats such as internet, video, and photographs, particularly within the context of filmmaking. Additionally, students learn about distribution contracts, while exploring emerging media and technology landscapes and their implications on ownership dynamics. Through practical applications, students understand contract negotiation techniques tailored to the film and television industry and acquire foundational knowledge in accounting and taxation practices applicable to both individual professionals and production entities

Capstone Pre Production Workflow

FTP501

The building and presentation of packages is a valuable technique and art form used industry wide to effectively present your film or concept. In this course, students learn how to package and present a concise plan detailing their idea, screenplay, look, feel, and course of action that they plan to undertake to complete a compelling and engaging short film. These packages represent the individual and/or team’s ability to execute and deliver a polished final project for pitching purposes.

 

Pre-requisite: FTP401

Capstone Pre Production Creative

FTP502

This course is a mentorship style course designed to encourage students to focus on further developing their creative plans for the TFS capstone productions. Lectures and in-class presentations provide the capstone projects with a roadmap by which students create workflows and structure in their creative preproduction process. Students collaborate with their classmates to fill in all crew positions on set, as well as prepare them for other creative related matters. The preparation progress of the creative elements of the capstone films are monitored throughout the term as students enter production and include debriefs once principal production is finished.

 

Pre-requisite: FTP401

Capstone Production

FTP503

This course offers students a chance to get on-set experience with the equivalent of at least 60 hours of field production. Directly tied to the Capstone Pre Production Workflow and Capstone Pre Production Creative classes, the evaluation of this course requires students to be part of at least 3 capstone productions. Through this experience, students learn how a real set functions with a larger independent budget and team. Students learn how to collaborate and work together for a mutual creative outcome.

 

Pre-requisite: FTP401

Finance for Film and TV

FTP504

This course is designed to provide a comprehensive understanding of the intricacies of financing within the Canadian film and television industry. The curriculum encompasses an in-depth exploration of various types of financing available in Canada for film and TV productions, highlighting the distinctive roles played by tax credits and government agencies in the financing landscape. Case studies are used to analyze and illustrate successful financial models, with a particular focus on funding sources for both feature and short films. This course emphasizes grant writing skills, enabling students to navigate and capitalize on available grants. Students delve into the financing models employed by TV networks, with a specific examination of the Canada Media Fund (CMF).

Post Production Supervision

FTP505

This course delves into the period following principal photography and the multifaceted responsibilities of post-production supervisors. Students learn to handle budgeting and scheduling, gaining skills to efficiently allocate resources and create detailed timelines for editing, sound design, visual effects, and other critical processes. Importance is placed on team management and proper workflow oversight, covering the management of post-production processes from editing to color grading, with an emphasis on implementing streamlined file management systems. Technical quality control is explored, highlighting adherence to industry standards and addressing technical issues.

 

Pre-requisite: FTP406

Term 6

Canadian and International Cinema

FTP600

This course focuses on the history of scripted content in Canada, offering a detailed exploration of narrative storytelling through television and film. Starting with an investigation into pioneering Canadian filmmakers and their contributions, the course then focuses on the evolution of scripted television, addressing iconic Canadian series, their impact on both national and international audiences, and the unique challenges faced by Canadian TV producers. Students study notable films and pilots, and the work of influential creators who have shaped the scripted narrative tradition in Canadian TV and film. The course also covers contemporary trends, the influence of streaming platforms, and the future prospects and challenges associated with scripted storytelling in Canada.

Documentary Production

FTP601

This course is designed to provide students with in-depth practical experiences in documentary filmmaking. Students explore the elements of documentary storytelling, and cinematography techniques. The course also delves into conducting and shooting interviews, with an added focus on remote interview setups. Through a combination of in-class exercises and a final team project, students gain hands-on experience in planning, shooting, and editing. Students produce a short documentary, showcasing their ability to apply the principles learned in class to real-world scenarios.

Distribution and Marketing

FTP602

This course gives students an understanding of the film sales and distribution process and the global marketplace in which they will be entering with short and feature-length films. The course also encompasses television, and how shows are distributed nationally and internationally. Students learn the legal language of distribution, film sales, and gain a stronger understanding and knowledge of the domestic and foreign film festivals and markets. Students also learn the importance of creating promotional marketing materials in the vein of their short independent work, which include sizzles/trailers, posters, and social media, using third party software.

 

Pre-requisite: FTP401

Capstone Post Production Picture

FTP603

This course is a mentor-focused class that allows students to edit their footage and audio material for purposes of completing their capstone film. All facets of the post-production phase are covered in this class, including picture editing, sound editing, color correction, color grading, and post sound recording such as foley and ADR.

 

Pre-requisite: FTP501, FTP502, FTP503

Capstone Post Production Sound

FTP604

This course is a mentor-focused class that emphasizes a comprehensive post-workflow approach and allows students to edit their footage and audio material for purposes of completing their capstone film. All facets of the post-production phase are covered in this class, including picture editing, sound editing, color correction, color grading, and post sound recording such as foley and ADR. Students have mentorship through the entire post-production process, fostering an integrated and efficient methodology in the realization of their capstone projects.

 

Pre-requisite: FTP501, FTP502, FTP503

Career Development

FTP605

This course develops personalized and goal-oriented career strategies for each student, which allows them to enter the industry with the knowledge and materials to show themselves as professionals ready for opportunities that come their way in film and TV. This class also hones the students’ networking skills and integrates a strategy for expanding and maintaining their professional networks. The course reviews the proper methods of personal marketing including demo reels, websites, and resume formats. Students are equipped with a playbook of assets for the real world and an understanding of where they best fit into the Film and TV landscape.

admissions

Admissions

How to Apply

1

Complete Toronto Film School’s online application form.

2

Pay the application fee of $150.00.

3

Provide original academic transcripts (or notarized translations) showing completion of an Ontario Secondary School Diploma or equivalent.

4

Submit an Application Video (2-3 min):

  • Record a video addressing two topics: why TFS and why you?
  • Submit via unlisted YouTube link
  • Demonstrate clear audio, proper lighting, and thoughtful framing
  • Present yourself authentically in a professional but casual manner (be yourself!)

5

Submit a Photo Storyboard (8-12 images):

  • Choose one of three assigned stories provided to applicants ahead of time
  • Create original photographs using your smartphone or DSLR camera
  • Tell the complete story through images alone, without text
  • Arrange images on the TFS-provided template and submit as PDF
  • Shoot all images in horizontal/widescreen format

6

International students only: Submit proof of English-language proficiency.

7

International students only: Provide a copy of your passport.

Please note: The admission requirements above apply to students planning to enrol in July 2026 or later.
If you intend to start before July 2026, please visit this page.
For a full breakdown of each step, see the Requirements page.

tuition

Film and TV Production Tuition Fees

TUITION RATES

TUITION TYPE

COST PER TERM

TUITION MAXIMUM (6 TERMS)

Domestic

$6,619 - $7,017

$40,510.00

International

$10,597 - $11,459

$66,154.00

EQUIPMENT FEE

COST TYPE

COST PER TERM

EQUIPMENT FEE MAXIMUM (6 TERMS)

FEE

$462 - $508

$2,864

SOFTWARE FEE

(effective as of October 2026)

COST TYPE

COST PER TERM

SOFTWARE FEE MAXIMUM (6 TERMS)

FEE

$0 - $215.83

$1,294.98

Please note: Tuition fees are subject to change.
Fees do not include books, expendable supplies, or additional resources. Any changes will be announced at least three months before the term they apply to.

This page outlines the updated curriculum and tuition details for students starting in July 2026 and onward.
If you plan to enrol before July 2026, please visit this page.

For questions about tuition and payment methods, contact the Bursar’s Office at 1-866-467-0661.
For financial aid information, connect with an Admissions Advisor.

 

 

 

 

 

faq

Frequently Asked Questions

FAQ

How do I contact Toronto Film School?

The most effective way to get in touch with us fast is to fill out a Request for Information form so a call with an admissions advisor can be arranged. Or, reach out to us at 1.866.467.0661 or message us on Facebook.

Why should I choose the Film and TV Production program?

Through our Film and TV production program, you will learn all stages of production through a modern and relevant curriculum designed to meet today’s industry expectations. Below are five reasons why you should choose our program. In just 18 months, you will: 

 

1. Learn from real filmmakers.

They bring real-world experience to the classroom. Their insider knowledge will thoroughly prepare you to write, direct, produce, shoot and edit your own content. In fact, our students often secure full-time work before they graduate.

 

2. Train in our modern studios.

You’ll have access to studio spaces on campus, along with a fully stocked equipment room so you can bring your productions to life.

 

3. Enjoy networking opportunities and make industry connections.

We understand that building professional relationships is crucial to your success in the creative world. That’s why this program is jam-packed with networking events and collaborative opportunities.

 

4. Learn the business.

We’ll demystify the process by equipping you with a solid understanding of the business side of the industry too.

 

5. Graduate industry ready.

You will graduate confident, connected, and ready in just 18 months—with a demo reel of work that can be used to showcase your filmmaking skills to studios.

 

If you’re ready to start making your films, get in touch with us now.  

What is the outlook for graduates of this filmmaking program in the job market?

Check out our “Career Outcomes for Film Production Graduates” section, which is located towards the top of this page. These outcomes will be relevant to today’s film industry. Earning potential depends on the position and company being worked for. Typically larger organizations, networks or studios will pay higher salaries and provide more benefits (vacation, health insurance, bonuses, etc.) than smaller companies.  

How much does the Film and TV Production program cost?

For the most up-to-date tuition fees, please visit our Tuition & Payment Options page.

 

There is a non-refundable application fee of $150.

 

Payment options are available, just reach out to us so we can work something out.

 

Check out our Bursaries and Financial Aid page.

 

Lastly, the fine print: Tuition fees do not include books, expendable supplies, certain equipment and resources. Tuition and fees are subject to change.

Does your film school have official recognition?

Toronto Film School is a career college regulated by the Government of Ontario’s Ministry of Colleges and Universities. Upon completion of the program, you will graduate with a diploma.
The Hollywood Reporter has ranked us amongst top 15 film schools globally three years in a row.

How long does your Film and TV Production diploma program take to complete?

18 months. October cohorts may be able to take the first term remote. Subject to change. The program is generally offered on campus. For more information, please get in touch with an Admissions Advisor.

What kind of industry connections and networking opportunities are available?

We keep an open dialogue with the industry on an ongoing basis.

 

Our instructors are working, accomplished professionals. Leading the way is our school president, Emmy and Golden Globe winner Andrew Barnsley. You will have the opportunity to participate in TFS Fest, festivals and industry events like TIFF, attend special screenings and be provided with collaboration opportunities with students from our acting, screenwriting and video game animation programs.

Our film production program is a fantastic way to forge valuable relationships, ones that can shape your future career. 

What are the criteria for passing your Film and TV Production program?

You must complete 1728 hours. You must have a 1.7 Cumulative Grade Point Average (CGPA) in the 4.3 scale or better. Any course with a grade W or F must be retaken in order to graduate.  

What is the TFS Festival?

TFS Festival (or TFS FEST) is our annual celebration of student achievement, creativity, and craft across every discipline we teach.

All TFS Greenlit Productions, along with capstone and other creative projects by current students and recent alumni, are eligible for submission and consideration. A panel and jury will curate the official selections and determine the award winners.

Hosted at the TIFF Lightbox, this red-carpet event brings our community together to honour outstanding work with a formal awards ceremony attended by industry leaders — followed by a celebratory after-party to cap off the night.

Learn more about TFS FEST here.

Is financial aid available for the Film and TV Production diploma program?

We understand that funding your education can be a challenge. But there are several bursary and financial aid options for our applicants.

 

Canada Student Loans and Grants

Apply for loans or grants via your home province or territory. Loans generally have no interest during study and require payments only post-graduation. Grants, which are not repaid, are usually offered to students from low to middle-income families, those with disabilities or dependents, or part-time students.

 

Ontario Student Assistance Program (OSAP)

If you are an Ontario resident, you can apply to OSAP for a student loan or grant. This financial assistance can also help you to cover basic living expenses, supplies, tuition, and books. Here’s a link to apply!

 

Student Assistance Programs for All Other Provinces

You can find a list of all student aid offices through the Government of Canada website. 

 

Bursaries

Toronto Film School offers several bursary options. For a complete list, check out this link.

 

The Toronto Film School Blog

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